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Misha Reznikoff
Misha Reznikoff was an American-Ukrainian artist noted for such pictures as ''The End of the Horse – Or New Deal'' (1934) and ''The Solidity of the Road to Metaphor and Memory'' (1935).〔Smithsonian American Art Museum http://americanart.si.edu/search/artist_bio.cfm?StartRow=1&ID=4019〕 He was born in Kiev, Ukraine, in 1905 and died in New York in 1971.〔 He was married to photographer Genevieve Naylor.
From 1940 to 1943 the couple was in Brazil as part of the cultural wing of the Office of the Coordinator of Inter-American Affairs,〔Portrait of Nation Revealed in Photos of Bygone Brazil http://www.columbia.edu/cu/record/archives/vol21/vol21_iss18/record2118.14.html〕 a program set by the Roosevelt Administration to promote American goodwill throughout Latin America.
Reznikoff used techniques such as décollage and was described by Clement Greenberg as a "frail talent".〔Greenberg, O'Brien (1993) ''The Collected Essays and Criticisms'' University of Chicago Press〕
He was exhibited in galleries such as the Anita Shapolsky Gallery and the Michael Rosenfeld Gallery in New York City.〔(【引用サイトリンク】title=Misha Reznikoff 1905-1971, US, UA )〕〔(【引用サイトリンク】title=Reznikoff, Misha )〕
==References==
抄文引用元・出典: フリー百科事典『 ウィキペディア（Wikipedia）』
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